Ever since I modelled in a live installation piece in Barbican by Reza Aramesh in late 2007 for the “Seduced: Art and Sex from Antiquity to Now” show, the architecture of The Barbican and its surrounding area has interested me. The large concrete structures demand authority and bang their fists on the table in an uncontrolled and clumsy manner.
To pay homage to the retro Polaroid with its wave of comeback, I purchased film from The Impossible Project to experiment. I wanted to take power back from the Brutal buildings and manicure the rough edged nails those fists had curled up inside their palms.
The short video here shows the process of making a “polaroid emulsion lift”.